9780252037962-0252037960-Remake, Remodel: Women's Magazines in the Digital Age

Remake, Remodel: Women's Magazines in the Digital Age

ISBN-13: 9780252037962
ISBN-10: 0252037960
Edition: First Edition
Author: Brooke Erin Duffy
Publication date: 2013
Publisher: University of Illinois Press
Format: Hardcover 208 pages
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Book details

ISBN-13: 9780252037962
ISBN-10: 0252037960
Edition: First Edition
Author: Brooke Erin Duffy
Publication date: 2013
Publisher: University of Illinois Press
Format: Hardcover 208 pages

Summary

Remake, Remodel: Women's Magazines in the Digital Age (ISBN-13: 9780252037962 and ISBN-10: 0252037960), written by authors Brooke Erin Duffy, was published by University of Illinois Press in 2013. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Remake, Remodel: Women's Magazines in the Digital Age (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.49.

Description

 What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
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