9780226853130-0226853136-Il trovatore: Dramma in Four Parts by Salvadore Cammarano (Volume 18) (The Works of Giuseppe Verdi, Series I: Operas)

Il trovatore: Dramma in Four Parts by Salvadore Cammarano (Volume 18) (The Works of Giuseppe Verdi, Series I: Operas)

ISBN-13: 9780226853130
ISBN-10: 0226853136
Edition: 1
Author: David Lawton, Giuseppe Verdi
Publication date: 1993
Publisher: University of Chicago Press
Format: Hardcover 597 pages
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Book details

ISBN-13: 9780226853130
ISBN-10: 0226853136
Edition: 1
Author: David Lawton, Giuseppe Verdi
Publication date: 1993
Publisher: University of Chicago Press
Format: Hardcover 597 pages

Summary

Il trovatore: Dramma in Four Parts by Salvadore Cammarano (Volume 18) (The Works of Giuseppe Verdi, Series I: Operas) (ISBN-13: 9780226853130 and ISBN-10: 0226853136), written by authors David Lawton, Giuseppe Verdi, was published by University of Chicago Press in 1993. With an overall rating of 3.8 stars, it's a notable title among other Musical Genres (Music) books. You can easily purchase or rent Il trovatore: Dramma in Four Parts by Salvadore Cammarano (Volume 18) (The Works of Giuseppe Verdi, Series I: Operas) (Hardcover) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Il trovatore, the middle opera of Verdi's famous "trilogy" of the 1850s (with Rigoletto and La traviata), is the sixth work to be published in The Works of Giuseppe Verdi. Based on Verdi's autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts, the edition identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. The lengthy introduction to the score discusses the work's genesis, sources, and performance history as well as issues of instrumental and vocal performance practice, production and staging, and problems of notation. As an added feature of the introduction is an original study by Carlos Matteo Mossa of the creation of the libretto, based on the original draft and numerous other autograph documents.
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