9780226411460-022641146X-Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage

Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage

ISBN-13: 9780226411460
ISBN-10: 022641146X
Edition: 1
Author: Matthew L. Jones
Publication date: 2016
Publisher: University of Chicago Press
Format: Hardcover 336 pages
FREE US shipping
Buy

From $37.99

Book details

ISBN-13: 9780226411460
ISBN-10: 022641146X
Edition: 1
Author: Matthew L. Jones
Publication date: 2016
Publisher: University of Chicago Press
Format: Hardcover 336 pages

Summary

Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage (ISBN-13: 9780226411460 and ISBN-10: 022641146X), written by authors Matthew L. Jones, was published by University of Chicago Press in 2016. With an overall rating of 4.2 stars, it's a notable title among other History (History & Culture) books. You can easily purchase or rent Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage (Hardcover) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $5.5.

Description

From Blaise Pascal in the 1600s to Charles Babbage in the first half of the nineteenth century, inventors struggled to create the first calculating machines. All failed—but that does not mean we cannot learn from the trail of ideas, correspondence, machines, and arguments they left behind.

In Reckoning with Matter, Matthew L. Jones draws on the remarkably extensive and well-preserved records of the quest to explore the concrete processes involved in imagining, elaborating, testing, and building calculating machines. He explores the writings of philosophers, engineers, and craftspeople, showing how they thought about technical novelty, their distinctive areas of expertise, and ways they could coordinate their efforts. In doing so, Jones argues that the conceptions of creativity and making they exhibited are often more incisive—and more honest—than those that dominate our current legal, political, and aesthetic culture.

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book