9780226325583-022632558X-After the Beautiful: Hegel and the Philosophy of Pictorial Modernism

After the Beautiful: Hegel and the Philosophy of Pictorial Modernism

ISBN-13: 9780226325583
ISBN-10: 022632558X
Edition: Reprint
Author: Robert B. Pippin
Publication date: 2015
Publisher: University of Chicago Press
Format: Paperback 176 pages
FREE US shipping

Book details

ISBN-13: 9780226325583
ISBN-10: 022632558X
Edition: Reprint
Author: Robert B. Pippin
Publication date: 2015
Publisher: University of Chicago Press
Format: Paperback 176 pages

Summary

After the Beautiful: Hegel and the Philosophy of Pictorial Modernism (ISBN-13: 9780226325583 and ISBN-10: 022632558X), written by authors Robert B. Pippin, was published by University of Chicago Press in 2015. With an overall rating of 3.9 stars, it's a notable title among other Criticism (Arts History & Criticism, Aesthetics, Philosophy) books. You can easily purchase or rent After the Beautiful: Hegel and the Philosophy of Pictorial Modernism (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.3.

Description

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do.

While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger.
Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book