9780199276028-0199276021-Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature

Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature

ISBN-13: 9780199276028
ISBN-10: 0199276021
Edition: 1
Author: Chris Kraus, Simon Goldhill, Helene P. Foley, Jas Elsner
Publication date: 2007
Publisher: Oxford University Press
Format: Hardcover 480 pages
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Book details

ISBN-13: 9780199276028
ISBN-10: 0199276021
Edition: 1
Author: Chris Kraus, Simon Goldhill, Helene P. Foley, Jas Elsner
Publication date: 2007
Publisher: Oxford University Press
Format: Hardcover 480 pages

Summary

Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature (ISBN-13: 9780199276028 and ISBN-10: 0199276021), written by authors Chris Kraus, Simon Goldhill, Helene P. Foley, Jas Elsner, was published by Oxford University Press in 2007. With an overall rating of 4.1 stars, it's a notable title among other History (Arts History & Criticism) books. You can easily purchase or rent Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature (Hardcover) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Athenian tragedy of the fifth century BCE became an international and a canonical genre with remarkable rapidity. It is, therefore, a remarkable test case through which to explore how a genre becomes privileged and what the cultural effects of its continuing appropriation are. In this collection of essays by an international group of distinguished scholars the particular point of reference is the visual, that is, the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. Topics treated include the interaction of comedy and dithyramb with tragedy; vase painting and tragedy; representations of Dionysus, of Tragoedia, and of Nike; Homer, Aeschylus, Philostratus, and Longus; choral lyric and ritual performance, choral victories, and the staging of choruses on the modern stage. The common focus of all the essays is an engagement with and response to the unique scholarly voice of Froma Zeitlin.
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