9780198525356-0198525354-Musical Excellence: Strategies and Techniques to Enhance Performance

Musical Excellence: Strategies and Techniques to Enhance Performance

ISBN-13: 9780198525356
ISBN-10: 0198525354
Edition: 1
Author: Aaron Williamon
Publication date: 2004
Publisher: Oxford University Press
Format: Paperback 320 pages
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Book details

ISBN-13: 9780198525356
ISBN-10: 0198525354
Edition: 1
Author: Aaron Williamon
Publication date: 2004
Publisher: Oxford University Press
Format: Paperback 320 pages

Summary

Musical Excellence: Strategies and Techniques to Enhance Performance (ISBN-13: 9780198525356 and ISBN-10: 0198525354), written by authors Aaron Williamon, was published by Oxford University Press in 2004. With an overall rating of 4.2 stars, it's a notable title among other Theory, Composition & Performance (Music) books. You can easily purchase or rent Musical Excellence: Strategies and Techniques to Enhance Performance (Paperback) from BooksRun, along with many other new and used Theory, Composition & Performance books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $5.55.

Description

Musical Excellence offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together, for the first time in a single collection, the findings of pioneering initiatives from across the arts and sciences. Specific recommendations are provided alongside comprehensive reviews of existing theory and research, enabling the practitioner to place the strategies and techniques within the broader context of human performance and encouraging novel ways of conceptualizing music and teaching. Part 1, Prospects and Limits, sets out ground rules for achieving musical excellence. What roles do innate talent, environmental influences, and sheer hard work play in attaining eminence? How can musicians best manage the physical demands of a profession that is intrinsically arduous throughout a career that can literally span a lifetime? How can performers, teachers, and researchers effectively assess and reflect on performance enhancement for themselves, their colleagues, and their students?

Part II, Practice Strategies, presents approaches for increasing the effectiveness and efficiency of practice. These are generally for the individual and ensembles and specifically for the tasks of memorizing, sight-reading, and improvising music. Musicians spend vast amounts of time and energy acquiring and refining their skills, but are there particular rehearsal strategies that they can employ to produce better performance results or to achieve the same results more quickly? What implication does existing knowledge of human information processing and physical functioning have for musical learning and practice?

Part III, Techniques and Interventions, introduces scientifically validated methods for ordered from the more physical to the psychological to the pharmacological; however, they all address the issues of both mental and physical significance for the musician. Collectively, they stand as clear evidence that applied, cross-disciplinary research can facilitate musicians' strive for performance excellence.

Throughout, the book highlights ways for musicians to make the most of their existing practice, training, and experience and to give them additional tools for acquiring and developing new skills. Each chapter is underpinned by physical and psychological principles relevant to all performance traditions that demand dedication and resilience, unique artistic vision, and effective communication.

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