9780198158417-0198158416-Mallarmé's "Divine Transposition": Real and Apparent Sources of Literary Value (Oxford Modern Languages and Literature Monographs)

Mallarmé's "Divine Transposition": Real and Apparent Sources of Literary Value (Oxford Modern Languages and Literature Monographs)

ISBN-13: 9780198158417
ISBN-10: 0198158416
Edition: First Edition
Author: Peter Dayan
Publication date: 1987
Publisher: Oxford University Press
Format: Hardcover 288 pages
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Book details

ISBN-13: 9780198158417
ISBN-10: 0198158416
Edition: First Edition
Author: Peter Dayan
Publication date: 1987
Publisher: Oxford University Press
Format: Hardcover 288 pages

Summary

Mallarmé's "Divine Transposition": Real and Apparent Sources of Literary Value (Oxford Modern Languages and Literature Monographs) (ISBN-13: 9780198158417 and ISBN-10: 0198158416), written by authors Peter Dayan, was published by Oxford University Press in 1987. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Mallarmé's "Divine Transposition": Real and Apparent Sources of Literary Value (Oxford Modern Languages and Literature Monographs) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Mallarmé's reputation as a seminal thinker has steadily grown, yet his literary theory has received little attention and the great theoretical articles of his later years have never been properly studied. This book represents the first attempt to examine the later Mallarmé's extraordinary and systematic literary idealism through a careful scrutiny of his work. Dayan makes selective use of the textual approaches of certain post-structuralist theorists, especially Derrida, pointing out the many similarities between their positions and Mallarmé's, but also noting the vital differences. These differences, Dayan argues help to explain not only Mallarmé's continuing elusiveness, but also the failure of modern literary theory to face the question that Mallarmé always considered central: What is good poetry?
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