9780198112648-0198112645-Shakespeare and Classical Tragedy: The Influence of Seneca

Shakespeare and Classical Tragedy: The Influence of Seneca

ISBN-13: 9780198112648
ISBN-10: 0198112645
Edition: 1
Author: Robert S. Miola
Publication date: 1992
Publisher: Clarendon Press
Format: Hardcover 234 pages
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Book details

ISBN-13: 9780198112648
ISBN-10: 0198112645
Edition: 1
Author: Robert S. Miola
Publication date: 1992
Publisher: Clarendon Press
Format: Hardcover 234 pages

Summary

Shakespeare and Classical Tragedy: The Influence of Seneca (ISBN-13: 9780198112648 and ISBN-10: 0198112645), written by authors Robert S. Miola, was published by Clarendon Press in 1992. With an overall rating of 3.9 stars, it's a notable title among other Linguistics (Words, Language & Grammar ) books. You can easily purchase or rent Shakespeare and Classical Tragedy: The Influence of Seneca (Hardcover) from BooksRun, along with many other new and used Linguistics books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book charts the influence of Seneca--both as specific text and inherited tradition--through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and dramatic adaptations--especially those of Chapman, Jonson, Marston, Garnier, Cinthio, and Dolce. Three broad categories organize the discussion--Senecan revenge, tyranny, and furor--and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. Miola concludes by discussing Seneca's presence in Renaissance comedy and, more important, in that new and fascinating hybrid genre, tragicomedy.

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