9780195384840-0195384849-Music in the Early Twentieth Century: The Oxford History of Western Music

Music in the Early Twentieth Century: The Oxford History of Western Music

ISBN-13: 9780195384840
ISBN-10: 0195384849
Edition: Revised ed.
Author: Richard Taruskin
Publication date: 2009
Publisher: Oxford University Press
Format: Paperback 880 pages
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Book details

ISBN-13: 9780195384840
ISBN-10: 0195384849
Edition: Revised ed.
Author: Richard Taruskin
Publication date: 2009
Publisher: Oxford University Press
Format: Paperback 880 pages

Summary

Music in the Early Twentieth Century: The Oxford History of Western Music (ISBN-13: 9780195384840 and ISBN-10: 0195384849), written by authors Richard Taruskin, was published by Oxford University Press in 2009. With an overall rating of 4.2 stars, it's a notable title among other History & Criticism (Music, Musical Genres, Reference, Music, Encyclopedias & Subject Guides, Linguistics, Words, Language & Grammar ) books. You can easily purchase or rent Music in the Early Twentieth Century: The Oxford History of Western Music (Paperback) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $7.87.

Description

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music.

Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

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