9780195378245-0195378245-Changed for Good: A Feminist History of the Broadway Musical

Changed for Good: A Feminist History of the Broadway Musical

ISBN-13: 9780195378245
ISBN-10: 0195378245
Edition: 1
Author: Stacy Wolf
Publication date: 2011
Publisher: Oxford University Press
Format: Paperback 320 pages
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Book details

ISBN-13: 9780195378245
ISBN-10: 0195378245
Edition: 1
Author: Stacy Wolf
Publication date: 2011
Publisher: Oxford University Press
Format: Paperback 320 pages

Summary

Changed for Good: A Feminist History of the Broadway Musical (ISBN-13: 9780195378245 and ISBN-10: 0195378245), written by authors Stacy Wolf, was published by Oxford University Press in 2011. With an overall rating of 4.2 stars, it's a notable title among other History & Criticism (Music, Feminist Theory, Women's Studies) books. You can easily purchase or rent Changed for Good: A Feminist History of the Broadway Musical (Paperback) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $4.79.

Description

From Adelaide in "Guys and Dolls" to Nina in "In the Heights" and Elphaba in "Wicked," female characters in Broadway musicals have belted and crooned their way into the American psyche. In this lively book, Stacy Wolf illuminates the women of American musical theatre - performers, creators, and characters -- from the start of the cold war to the present day, creating a new, feminist history of the genre. Moving from decade to decade, Wolf first highlights the assumptions that circulated about gender and sexuality at the time. She then looks at the leading musicals to stress the key aspects of the plays as they relate to women, and often finds overlooked moments of empowerment for female audience members. The musicals discussed here are among the most beloved in the canon--"West Side Story," "Cabaret," "A Chorus Line," "Phantom of the Opera," and many others--with special emphasis on the blockbuster "Wicked." Along the way, Wolf demonstrates how the musical since the mid-1940s has actually been dominated by women--women onstage, women in the wings, and women offstage as spectators and fans.

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