9780195148831-0195148835-From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland

From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland

ISBN-13: 9780195148831
ISBN-10: 0195148835
Edition: 1
Author: R. Allen Lott
Publication date: 2003
Publisher: Oxford University Press
Format: Hardcover 384 pages
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Book details

ISBN-13: 9780195148831
ISBN-10: 0195148835
Edition: 1
Author: R. Allen Lott
Publication date: 2003
Publisher: Oxford University Press
Format: Hardcover 384 pages

Summary

From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland (ISBN-13: 9780195148831 and ISBN-10: 0195148835), written by authors R. Allen Lott, was published by Oxford University Press in 2003. With an overall rating of 3.8 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland (Hardcover) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.65.

Description

It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.

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