9780192802545-0192802542-Dada and Surrealism: A Very Short Introduction (Very Short Introductions)

Dada and Surrealism: A Very Short Introduction (Very Short Introductions)

ISBN-13: 9780192802545
ISBN-10: 0192802542
Edition: 1
Author: David Hopkins
Publication date: 2004
Publisher: Oxford University Press
Format: Paperback 183 pages
FREE US shipping on ALL non-marketplace orders
Marketplace
from $12.37 USD
Buy

From $5.20

Book details

ISBN-13: 9780192802545
ISBN-10: 0192802542
Edition: 1
Author: David Hopkins
Publication date: 2004
Publisher: Oxford University Press
Format: Paperback 183 pages

Summary

Dada and Surrealism: A Very Short Introduction (Very Short Introductions) (ISBN-13: 9780192802545 and ISBN-10: 0192802542), written by authors David Hopkins, was published by Oxford University Press in 2004. With an overall rating of 3.5 stars, it's a notable title among other Criticism (Arts History & Criticism, History) books. You can easily purchase or rent Dada and Surrealism: A Very Short Introduction (Very Short Introductions) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.37.

Description

The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe.

Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book