9780190056285-0190056282-The Oxford Handbook of Music Performance, Volume 1 (Oxford Handbooks)

The Oxford Handbook of Music Performance, Volume 1 (Oxford Handbooks)

ISBN-13: 9780190056285
ISBN-10: 0190056282
Author: Gary McPherson
Publication date: 2022
Publisher: Oxford University Press
Format: Hardcover 736 pages
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ISBN-13: 9780190056285
ISBN-10: 0190056282
Author: Gary McPherson
Publication date: 2022
Publisher: Oxford University Press
Format: Hardcover 736 pages

Summary

The Oxford Handbook of Music Performance, Volume 1 (Oxford Handbooks) (ISBN-13: 9780190056285 and ISBN-10: 0190056282), written by authors Gary McPherson, was published by Oxford University Press in 2022. With an overall rating of 3.7 stars, it's a notable title among other Theory, Composition & Performance (Music) books. You can easily purchase or rent The Oxford Handbook of Music Performance, Volume 1 (Oxford Handbooks) (Hardcover, Used) from BooksRun, along with many other new and used Theory, Composition & Performance books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.09.

Description

The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in the Handbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, and Innovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing
performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology, gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on each topic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.

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