9781498505116-1498505112-Neil Young and Philosophy (The Philosophy of Popular Culture)

Neil Young and Philosophy (The Philosophy of Popular Culture)

ISBN-13: 9781498505116
ISBN-10: 1498505112
Edition: Illustrated
Author: Douglas L. Berger
Publication date: 2019
Publisher: Lexington Books
Format: Hardcover 206 pages
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Book details

ISBN-13: 9781498505116
ISBN-10: 1498505112
Edition: Illustrated
Author: Douglas L. Berger
Publication date: 2019
Publisher: Lexington Books
Format: Hardcover 206 pages

Summary

Neil Young and Philosophy (The Philosophy of Popular Culture) (ISBN-13: 9781498505116 and ISBN-10: 1498505112), written by authors Douglas L. Berger, was published by Lexington Books in 2019. With an overall rating of 4.3 stars, it's a notable title among other Musical Genres (History, Arts History & Criticism, Social Philosophy, Philosophy, Popular Culture, Social Sciences, Music) books. You can easily purchase or rent Neil Young and Philosophy (The Philosophy of Popular Culture) (Hardcover) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Neil Young and Philosophy, edited by Douglas L. Berger, explores the meanings, importance, and philosophical dimensions of the music, career, and life of this prolific singer/songwriter over the past five decades. Neil Young’s music has touched on a broad range of cultural, political and personal issues, all of which have enormous ongoing relevance for our own times. In order to accommodate Young’s artistic breadth, contributions of scholars from a wide variety of fields-- American philosophy, ethics, American Indian philosophy, feminist philosophy, psychology, philosophy of mind and religious studies--are included in this collection. They examine everything from Young’s environmentalism, invocation of American Indian themes, images of women, and interpretations of human relationships to his confrontations with the music industry, his experiments with recording technologies, his approach to social change, and his methods of creativity. The book builds on the fundamental commitment of the Philosophy and Popular Culture series to see the artist as a philosopher.

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