9780674052581-0674052587-The Image of the Black in Western Art: Africans in the Christian Ordinance of the World: New Edition (Part 2) (The Image of the Black in Western Art, Volume II)

The Image of the Black in Western Art: Africans in the Christian Ordinance of the World: New Edition (Part 2) (The Image of the Black in Western Art, Volume II)

ISBN-13: 9780674052581
ISBN-10: 0674052587
Edition: 2
Author: Henry Louis Gates Jr., David Bindman
Publication date: 2010
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 400 pages
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Book details

ISBN-13: 9780674052581
ISBN-10: 0674052587
Edition: 2
Author: Henry Louis Gates Jr., David Bindman
Publication date: 2010
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 400 pages

Summary

The Image of the Black in Western Art: Africans in the Christian Ordinance of the World: New Edition (Part 2) (The Image of the Black in Western Art, Volume II) (ISBN-13: 9780674052581 and ISBN-10: 0674052587), written by authors Henry Louis Gates Jr., David Bindman, was published by Belknap Press: An Imprint of Harvard University Press in 2010. With an overall rating of 4.1 stars, it's a notable title among other Criticism (Arts History & Criticism, Themes, History) books. You can easily purchase or rent The Image of the Black in Western Art: Africans in the Christian Ordinance of the World: New Edition (Part 2) (The Image of the Black in Western Art, Volume II) (Hardcover, Used) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $43.8.

Description

In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.

Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.

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