9780367231736-0367231735-World Music Pedagogy, Volume VII: Teaching World Music in Higher Education: Teaching World Music in Higher Education (Routledge World Music Pedagogy Series)

World Music Pedagogy, Volume VII: Teaching World Music in Higher Education: Teaching World Music in Higher Education (Routledge World Music Pedagogy Series)

ISBN-13: 9780367231736
ISBN-10: 0367231735
Edition: 1
Author: William J. Coppola
Publication date: 2020
Publisher: Routledge
Format: Paperback 214 pages
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Book details

ISBN-13: 9780367231736
ISBN-10: 0367231735
Edition: 1
Author: William J. Coppola
Publication date: 2020
Publisher: Routledge
Format: Paperback 214 pages

Summary

World Music Pedagogy, Volume VII: Teaching World Music in Higher Education: Teaching World Music in Higher Education (Routledge World Music Pedagogy Series) (ISBN-13: 9780367231736 and ISBN-10: 0367231735), written by authors William J. Coppola, was published by Routledge in 2020. With an overall rating of 4.5 stars, it's a notable title among other Musical Genres (Higher & Continuing Education, Instruction Methods, Schools & Teaching, Music) books. You can easily purchase or rent World Music Pedagogy, Volume VII: Teaching World Music in Higher Education: Teaching World Music in Higher Education (Routledge World Music Pedagogy Series) (Paperback) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.57.

Description

World Music Pedagogy, Volume VII: Teaching World Music in Higher Education addresses a pedagogical pathway of varied strategies for teaching world music in higher education, offering concrete means for diversifying undergraduate studies through world music culture courses. While the first six volumes in this series have detailed theoretical and applied principles of World Music Pedagogy within K-12 public schools and broader communities, this seventh volume is chiefly concerned with infusing culture-rich musical experiences through world music courses at the tertiary level, presenting a compelling argument for the growing need for such perspectives and approaches.
These chapters include discussions of the logical trajectories of the framework into world music courses, through which the authors seek to challenge the status quo of lecture-only academic courses in some college and university music programs. Unique to this series, each of these chapters illustrates practical procedures for incorporating the WMP framework into sample classes. However, this volume (like the rest of the series) is not a prescriptive "recipe book" of lesson plans. Rather, it seeks to enrich the conversation surrounding cultural diversity in music through philosophically-rooted, social justice-conscious, and practice-oriented perspectives.

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