9780313253935-0313253935-Edison, Musicians, and the Phonograph: A Century in Retrospect (Contributions to the Study of Music and Dance)

Edison, Musicians, and the Phonograph: A Century in Retrospect (Contributions to the Study of Music and Dance)

ISBN-13: 9780313253935
ISBN-10: 0313253935
Edition: First Edition
Author: Susan Edwards Harvith, John Harvith
Publication date: 1987
Publisher: Praeger
Format: Hardcover 478 pages
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Book details

ISBN-13: 9780313253935
ISBN-10: 0313253935
Edition: First Edition
Author: Susan Edwards Harvith, John Harvith
Publication date: 1987
Publisher: Praeger
Format: Hardcover 478 pages

Summary

Edison, Musicians, and the Phonograph: A Century in Retrospect (Contributions to the Study of Music and Dance) (ISBN-13: 9780313253935 and ISBN-10: 0313253935), written by authors Susan Edwards Harvith, John Harvith, was published by Praeger in 1987. With an overall rating of 3.5 stars, it's a notable title among other Musical Genres (Music) books. You can easily purchase or rent Edison, Musicians, and the Phonograph: A Century in Retrospect (Contributions to the Study of Music and Dance) (Hardcover) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Though the book ranks as an admirable exercise in rigorous scholarship, the prevailing tone is that of an informal conversation. That's what keeps you turning the pages. Serious record collectors will find that this book . . . will make them see--and hear--their disks in a wholly new perspective. The New York Times

The first book of its kind ever published, Edison, Musicians, and the Phonograph presents the candid opinions of a wide variety of musicians--from those performing when the phonograph was first used to present-day artists--about the recording process, its effects, and its validity. Through exhaustive research and extensive interviews, John and Susan Harvith have constructed a detailed picture of how musicians and technicians view the ramifications of recording, a picture that reveals a dichotomy between our public perception of the recorded music as truly representative and the performers' frequent mistrust of the medium.

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