9780300250480-0300250487-Cézanne: The Rock and Quarry Paintings

Cézanne: The Rock and Quarry Paintings

ISBN-13: 9780300250480
ISBN-10: 0300250487
Edition: Illustrated
Author: John Elderfield
Publication date: 2020
Publisher: Princeton University Art Museum
Format: Hardcover 192 pages
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Book details

ISBN-13: 9780300250480
ISBN-10: 0300250487
Edition: Illustrated
Author: John Elderfield
Publication date: 2020
Publisher: Princeton University Art Museum
Format: Hardcover 192 pages

Summary

Cézanne: The Rock and Quarry Paintings (ISBN-13: 9780300250480 and ISBN-10: 0300250487), written by authors John Elderfield, was published by Princeton University Art Museum in 2020. With an overall rating of 4.4 stars, it's a notable title among other Monographs (Individual Artists) books. You can easily purchase or rent Cézanne: The Rock and Quarry Paintings (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $3.77.

Description

A rich vein of the artist's mature work, depicting the foundations of landscape and place

From the mid-1860s until shortly before his death, Paul Cézanne (1839-1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cézanne's mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L'Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cézanne's other works; their critical interpretations; and their geological and corporeal associations. Faya Causey's essay examines the Provençal context of Cézanne's rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works.

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