9780300243727-0300243723-Francis Picabia Catalogue Raisonné: Volume Three: 1927–1939 (English and French Edition)

Francis Picabia Catalogue Raisonné: Volume Three: 1927–1939 (English and French Edition)

ISBN-13: 9780300243727
ISBN-10: 0300243723
Edition: Bilingual
Author: William A. Camfield Beverley Calté
Publication date: 2019
Publisher: Mercatorfonds
Format: Hardcover 464 pages
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Book details

ISBN-13: 9780300243727
ISBN-10: 0300243723
Edition: Bilingual
Author: William A. Camfield Beverley Calté
Publication date: 2019
Publisher: Mercatorfonds
Format: Hardcover 464 pages

Summary

Francis Picabia Catalogue Raisonné: Volume Three: 1927–1939 (English and French Edition) (ISBN-13: 9780300243727 and ISBN-10: 0300243723), written by authors William A. Camfield Beverley Calté, was published by Mercatorfonds in 2019. With an overall rating of 4.3 stars, it's a notable title among other Monographs (Individual Artists, Arts Collections, History, Arts History & Criticism) books. You can easily purchase or rent Francis Picabia Catalogue Raisonné: Volume Three: 1927–1939 (English and French Edition) (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $10.16.

Description

This third volume in a planned four-volume catalogue raisonné of works by the French avant-garde artist Francis Picabia (1879–1953) includes paintings and selected drawings dating from mid-1927 through 1939. Innovative collage-paintings and flamboyant figural compositions known as “monsters” that dominated Picabia’s output in the mid-1920s gave way, during 1927, to new artistic directions. The most important of these was an exploration of the concept of transparency in many forms, first through the addition of new elements to his own pre-existing works, then through the tangled compositions he called “transparencies,” superimposing outlined figures, animals, plants, and other motifs. Picabia’s production during this period also encompassed imposing, representational compositions with firmly contoured and solidly colored forms, thickly painted topographical landscapes, curvilinear abstractions, and toward the end, photo-based figural paintings foreshadowing his notorious painted nudes of the early 1940s.

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