9780299173142-0299173143-Dancing Many Drums: Excavations in African American Dance (Studies in Dance History) (Volume 19)

Dancing Many Drums: Excavations in African American Dance (Studies in Dance History) (Volume 19)

ISBN-13: 9780299173142
ISBN-10: 0299173143
Edition: First Edition
Author: Thomas F. DeFrantz
Publication date: 2001
Publisher: University of Wisconsin Press
Format: Paperback 384 pages
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Book details

ISBN-13: 9780299173142
ISBN-10: 0299173143
Edition: First Edition
Author: Thomas F. DeFrantz
Publication date: 2001
Publisher: University of Wisconsin Press
Format: Paperback 384 pages

Summary

Dancing Many Drums: Excavations in African American Dance (Studies in Dance History) (Volume 19) (ISBN-13: 9780299173142 and ISBN-10: 0299173143), written by authors Thomas F. DeFrantz, was published by University of Wisconsin Press in 2001. With an overall rating of 4.3 stars, it's a notable title among other Criticism (Arts History & Criticism, Black & African Americans, United States History) books. You can easily purchase or rent Dancing Many Drums: Excavations in African American Dance (Studies in Dance History) (Volume 19) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham's controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera" Kykunkor, or the Witch Woman.

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