9783791355108-3791355104-Stuart Davis: In Full Swing

Stuart Davis: In Full Swing

ISBN-13: 9783791355108
ISBN-10: 3791355104
Edition: First Edition
Author: Barbara Haskell, Harry Cooper
Publication date: 2016
Publisher: Prestel
Format: Hardcover 288 pages
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Book details

ISBN-13: 9783791355108
ISBN-10: 3791355104
Edition: First Edition
Author: Barbara Haskell, Harry Cooper
Publication date: 2016
Publisher: Prestel
Format: Hardcover 288 pages

Summary

Stuart Davis: In Full Swing (ISBN-13: 9783791355108 and ISBN-10: 3791355104), written by authors Barbara Haskell, Harry Cooper, was published by Prestel in 2016. With an overall rating of 4.3 stars, it's a notable title among other Monographs (Individual Artists) books. You can easily purchase or rent Stuart Davis: In Full Swing (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $4.21.

Description

This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cézanne, Léger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works―from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis’s unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz―his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.

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