
Facing the Modern: The Portrait in Vienna 1900
ISBN-13:
9781857095616
ISBN-10:
1857095618
Edition:
1
Author:
Blackshaw, Gemma
Publication date:
2013
Publisher:
National Gallery London
Format:
Hardcover
216 pages
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Book details
ISBN-13:
9781857095616
ISBN-10:
1857095618
Edition:
1
Author:
Blackshaw, Gemma
Publication date:
2013
Publisher:
National Gallery London
Format:
Hardcover
216 pages
Summary
Acknowledged authors
Blackshaw,
Gemma
wrote Facing the Modern: The Portrait in Vienna 1900
comprising 216 pages back in 2013.
Textbook and eTextbook are published under ISBN 1857095618 and 9781857095616.
Since then Facing the Modern: The Portrait in Vienna 1900 textbook
was available to sell back to BooksRun online for the top buyback price
or rent at the marketplace.
Description
An engaging look at how the middle classes of fin-de-siècleVienna used innovative portraiture to define their identity
During the great flourishing of modern art in fin-de-siècleVienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects’ shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time.
During the great flourishing of modern art in fin-de-siècleVienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects’ shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time.
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