9780809325931-0809325934-On Broadway: Art and Commerce on the Great White Way

On Broadway: Art and Commerce on the Great White Way

ISBN-13: 9780809325931
ISBN-10: 0809325934
Edition: 1st
Author: Adler, Professor Steven
Publication date: 2004
Publisher: Southern Illinois University Press
Format: Paperback 272 pages
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Book details

ISBN-13: 9780809325931
ISBN-10: 0809325934
Edition: 1st
Author: Adler, Professor Steven
Publication date: 2004
Publisher: Southern Illinois University Press
Format: Paperback 272 pages

Summary

Acknowledged authors Adler, Professor Steven wrote On Broadway: Art and Commerce on the Great White Way comprising 272 pages back in 2004. Textbook and eTextbook are published under ISBN 0809325934 and 9780809325931. Since then On Broadway: Art and Commerce on the Great White Way textbook was available to sell back to BooksRun online for the top buyback price or rent at the marketplace.

Description

At a critical, transitional moment in the history of Broadway―and, by extension, of American theatre itself―former Broadway stage manager Steven Adlerenlists insider perspectives from sixty-six practitioners and artists to chronicle the recent past and glimpse the near future of the Great White Way. From marquee names to behind-the-scenes power brokers, Adler has assembled a distinctly knowledgeable cast of theatre’s elite, including Stephen Sondheim, Arthur Laurents, Des McAnuff, Frank Rich, Robin Wagner, Rocco Landesman, Robert Longbottom, Todd Haimes, Bernard Gersten, and Alan Eisenberg.

On Broadway: Art and Commerce on the Great White Way spotlights the differing vantage points of performers, artists, writers, managers, producers, critics, lawyers, theatre owners, union leaders, city planners, and other influential players. Each details his or her firsthand account of the creative and economic forces that have wrought extraordinary changes in the way Broadway theatre is conceived, produced, marketed, and executed. Once the paramount site of American theatre, Broadway today is becoming a tourist-driven, family-friendly, middle-class entertainment oasis in Midtown, an enterprise inextricably bound to the larger mosaic of national and international professional theatre.

Accounting for this transformation and presaging Broadway’s identity for the twenty-first century, Adler and his interviewees assess the impact of the advent of corporate producers, the ascendance of not-for-profit theatres on Broadway, and the growing interdependence between regional and Broadway productions. Also critiqued are the important roles of the radical urban redevelopment staged in Times Square and the changing demographics and appetites of contemporary theatre audiences in New York and around the globe.

Actors and administrators, performers and producers, theatre students and theatregoers will all benefit from the perceptive insights in this authoritative account of theatre making for the new millennium.

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