9780804725354-0804725357-Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937

Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937

ISBN-13: 9780804725354
ISBN-10: 0804725357
Edition: 1
Author: Liu, Lydia H.
Publication date: 1995
Publisher: Stanford University Press
Format: Paperback 496 pages
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Book details

ISBN-13: 9780804725354
ISBN-10: 0804725357
Edition: 1
Author: Liu, Lydia H.
Publication date: 1995
Publisher: Stanford University Press
Format: Paperback 496 pages

Summary

Acknowledged authors Liu, Lydia H. wrote Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937 comprising 496 pages back in 1995. Textbook and eTextbook are published under ISBN 0804725357 and 9780804725354. Since then Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937 textbook was available to sell back to BooksRun online for the top buyback price of $ 2.00 or rent at the marketplace.

Description

Are languages incommensurate? If so, how do people establish and maintain hypothetical equivalences between words and their meanings? What does it mean to translate one culture into the language of another on the basis of commonly conceived equivalences? This study―bridging contemporary theory, Chinese history, comparative literature, and culture studies―analyzes the historical interactions among China, Japan, and the West in terms of "translingual practice." By this term, the author refers to the process by which new words, meanings, discourses, and modes of representation arose, circulated, and acquired legitimacy in early modern China as it contacted/collided with European/Japanese languages and literatures. In reexamining the rise of modern Chinese literature in this context, the book asks three central questions: How did "modernity" and "the West" become legitimized in May fourth literary discourse? What happened to native agency in this complex process of legitimation? How did the Chinese national culture imagine and interpret its own moment of unfolding?

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