9780719073755-0719073758-Film theory: An introduction

Film theory: An introduction

ISBN-13: 9780719073755
ISBN-10: 0719073758
Edition: 2
Author: Lapsley, Robert
Publication date: 2006
Publisher: P648 - MANCHESTER UNIV PR
Format: Paperback 317 pages
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Book details

ISBN-13: 9780719073755
ISBN-10: 0719073758
Edition: 2
Author: Lapsley, Robert
Publication date: 2006
Publisher: P648 - MANCHESTER UNIV PR
Format: Paperback 317 pages

Summary

Acknowledged authors Lapsley, Robert wrote Film theory: An introduction comprising 317 pages back in 2006. Textbook and eTextbook are published under ISBN 0719073758 and 9780719073755. Since then Film theory: An introduction textbook was available to sell back to BooksRun online for the top buyback price or rent at the marketplace.

Description

Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis.

In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism.

For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book’s original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the ‘post-theory’ moment in this complex and often fractured terrain.

Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema.

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