9780615608211-0615608213-Playwriting Seminars 2.0: A Handbook on the Art and Craft of Dramatic Writing with an Introduction to Screenwriting

Playwriting Seminars 2.0: A Handbook on the Art and Craft of Dramatic Writing with an Introduction to Screenwriting

ISBN-13: 9780615608211
ISBN-10: 0615608213
Author: Toscan, Richard
Publication date: 2012
Publisher: Franz Press
Format: Paperback 392 pages
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Book details

ISBN-13: 9780615608211
ISBN-10: 0615608213
Author: Toscan, Richard
Publication date: 2012
Publisher: Franz Press
Format: Paperback 392 pages

Summary

Acknowledged authors Toscan, Richard wrote Playwriting Seminars 2.0: A Handbook on the Art and Craft of Dramatic Writing with an Introduction to Screenwriting comprising 392 pages back in 2012. Textbook and eTextbook are published under ISBN 0615608213 and 9780615608211. Since then Playwriting Seminars 2.0: A Handbook on the Art and Craft of Dramatic Writing with an Introduction to Screenwriting textbook was available to sell back to BooksRun online for the top buyback price of $ 1.49 or rent at the marketplace.

Description

Playwriting Seminars is “a treasure-trove of information, philosophy, and inspiration” (Theatre Journal), “an absolutely essential guide to all aspects of playwriting and a valuable whitewater raft trip down the rapids of Hollywood screenwriting” (Magellan), and “a terrific learning environment for writers” (WebCrawler Select). It was also a recommended resource for playwrights at New Dramatists (NYC). The Handbook’s initial concepts came from the author’s work with Lucasfilm and the BBC. It was originally developed for playwrights and screenwriters, but has since been used by writers of fiction and nonfiction books. This new edition covers all aspects of writing full-length plays with an expanded treatment of screenwriting for Hollywood and independent film as well as diagrams of key elements of dramatic structure. Playwriting techniques are explained with many examples from classic and contemporary plays performed today by America's regional theatres as well as on Broadway and Off-Broadway. The 392 page Handbook explains the interconnections between characters and plot and the importance of subtext to character development in the contemporary theatre (what characters don’t tell us matters as much as what they say in dialogue). Key exercises are included for developing “voice” as a writer and for creating the essential dual plot structure that supports intriguing characters in today’s theatre. Many professionals in theatre and film are quoted on key parts of the art and craft of playwriting and screenwriting to help explain effective techniques. Special sections of the Handbook focus on getting inspiration and avoiding writer’s block, editing first drafts, professional script formats for theatre and film (including software), how to launch new scripts, putting together submission packages for theatres and competitions, how to write an effective script synopsis and writer’s bio, working with directors, actors and agents, how to survive audience “talkbacks” following readings and workshop productions, methods to adjust your playwriting skills for screenwriting and television work, and options for making a living at the craft of dramatic writing.

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