9780415660730-0415660734-The Archive Effect: Found Footage and the Audiovisual Experience of History

The Archive Effect: Found Footage and the Audiovisual Experience of History

ISBN-13: 9780415660730
ISBN-10: 0415660734
Edition: 1
Author: Baron, Jaimie
Publication date: 2014
Publisher: Routledge
Format: Paperback 200 pages
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Book details

ISBN-13: 9780415660730
ISBN-10: 0415660734
Edition: 1
Author: Baron, Jaimie
Publication date: 2014
Publisher: Routledge
Format: Paperback 200 pages

Summary

Acknowledged authors Baron, Jaimie wrote The Archive Effect: Found Footage and the Audiovisual Experience of History comprising 200 pages back in 2014. Textbook and eTextbook are published under ISBN 0415660734 and 9780415660730. Since then The Archive Effect: Found Footage and the Audiovisual Experience of History textbook was available to sell back to BooksRun online for the top buyback price or rent at the marketplace.

Description

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.

The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

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