
Boston's Apollo: Thomas McKeller and John Singer Sargent
ISBN-13:
9780300249866
ISBN-10:
0300249861
Publication date:
2020
Publisher:
The Isabella Stewart Gardner Museum
Format:
Hardcover
256 pages
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Book details
ISBN-13:
9780300249866
ISBN-10:
0300249861
Publication date:
2020
Publisher:
The Isabella Stewart Gardner Museum
Format:
Hardcover
256 pages
Summary
Acknowledged author
wrote Boston's Apollo: Thomas McKeller and John Singer Sargent
comprising 256 pages back in 2020.
Textbook and eTextbook are published under ISBN 0300249861 and 9780300249866.
Since then Boston's Apollo: Thomas McKeller and John Singer Sargent textbook
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Description
The story of the extraordinary collaboration behind one of John Singer Sargent’s renowned late masterpieces
In 1916, John Singer Sargent (1856–1925) met Thomas Eugene McKeller (1890–1962), a young African American elevator attendant, at Boston’s Hotel Vendome. McKeller became the principal model for Sargent’s murals in the new wing of the city’s Museum of Fine Arts, among the painter’s most ambitious works. Sargent’s nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent’s iconic American paintings. Essays offer the first biography of McKeller and a window onto African American life in early-20th-century Boston. They also address the artist’s sexuality, his models, and questions of race and identity.
In 1916, John Singer Sargent (1856–1925) met Thomas Eugene McKeller (1890–1962), a young African American elevator attendant, at Boston’s Hotel Vendome. McKeller became the principal model for Sargent’s murals in the new wing of the city’s Museum of Fine Arts, among the painter’s most ambitious works. Sargent’s nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent’s iconic American paintings. Essays offer the first biography of McKeller and a window onto African American life in early-20th-century Boston. They also address the artist’s sexuality, his models, and questions of race and identity.
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