9780300232097-0300232098-Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters (The Paul Mellon Centre for Studies in British Art)

Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters (The Paul Mellon Centre for Studies in British Art)

ISBN-13: 9780300232097
ISBN-10: 0300232098
Author: Hugh Belsey
Publication date: 2019
Publisher: Paul Mellon Centre
Format: Hardcover 1112 pages
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ISBN-13: 9780300232097
ISBN-10: 0300232098
Author: Hugh Belsey
Publication date: 2019
Publisher: Paul Mellon Centre
Format: Hardcover 1112 pages

Summary

Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters (The Paul Mellon Centre for Studies in British Art) (ISBN-13: 9780300232097 and ISBN-10: 0300232098), written by authors Hugh Belsey, was published by Paul Mellon Centre in 2019. With an overall rating of 4.2 stars, it's a notable title among other Monographs (Individual Artists) books. You can easily purchase or rent Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters (The Paul Mellon Centre for Studies in British Art) (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $4.03.

Description

Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonné of Thomas Gainsborough’s portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter—including several newly identified—the painting’s provenance, and exhibitions in which each work was shown. Gainsborough’s copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a painting’s production, chart the development of the artist’s style, and assess the impression the work made within the context of its time.

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