9780300227475-0300227477-Gordon Bunshaft and SOM: Building Corporate Modernism

Gordon Bunshaft and SOM: Building Corporate Modernism

ISBN-13: 9780300227475
ISBN-10: 0300227477
Author: Adams, Nicholas
Publication date: 2019
Publisher: Yale University Press
Format: Hardcover 296 pages
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Book details

ISBN-13: 9780300227475
ISBN-10: 0300227477
Author: Adams, Nicholas
Publication date: 2019
Publisher: Yale University Press
Format: Hardcover 296 pages

Summary

Acknowledged authors Adams, Nicholas wrote Gordon Bunshaft and SOM: Building Corporate Modernism comprising 296 pages back in 2019. Textbook and eTextbook are published under ISBN 0300227477 and 9780300227475. Since then Gordon Bunshaft and SOM: Building Corporate Modernism textbook was available to sell back to BooksRun online for the top buyback price of $ 19.48 or rent at the marketplace.

Description

A nuanced portrait of the 20th-century architect whose work defined the built aesthetic of corporate America

Gordon Bunshaft’s (1909–1990) landmark 1952 design for Lever House reshaped the Manhattan skyline and elevated the reputation of Skidmore, Owings & Merrill (SOM), the firm where he would spend more than 40 years as a partner. Although this enigmatic architect left behind few records, his legacy endures in the corporate headquarters, museums, and libraries that were built in his distinctive modernist style. Bunshaft’s career was marked by shifts in material. Glass and steel structures of the 1950s, such as New York’s Chase Manhattan Bank, gave way to revolutionary designs in concrete, such as the Beinecke Rare Book and Manuscript Library at Yale University and the doughnut-shaped Hirshhorn Museum in Washington, DC. Bunshaft’s collaborations with artists, including Isamu Noguchi, Jean Dubuffet, and Henry Moore, were of paramount importance throughout his career.

Nicholas Adams explores the contested line between Bunshaft’s ambition for acclaim as a singular artistic genius and the collaborative structure of SOM’s architectural partnership. Bunshaft received the Pritzker Architecture Prize in 1988 and remains the only SOM partner to have achieved this distinction. Adams counters Bunshaft’s maxim that “the building speaks for itself” with necessary critical context about this modernist moment at a time when the future of Bunshaft’s iconic works is very much in question.
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