9780226654638-022665463X-The Revolution's Echoes: Music, Politics, and Pleasure in Guinea (Chicago Studies in Ethnomusicology)

The Revolution's Echoes: Music, Politics, and Pleasure in Guinea (Chicago Studies in Ethnomusicology)

ISBN-13: 9780226654638
ISBN-10: 022665463X
Edition: First
Author: Dave, Nomi
Publication date: 2019
Publisher: University of Chicago Press
Format: Paperback 208 pages
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Book details

ISBN-13: 9780226654638
ISBN-10: 022665463X
Edition: First
Author: Dave, Nomi
Publication date: 2019
Publisher: University of Chicago Press
Format: Paperback 208 pages

Summary

Acknowledged authors Dave, Nomi wrote The Revolution's Echoes: Music, Politics, and Pleasure in Guinea (Chicago Studies in Ethnomusicology) comprising 208 pages back in 2019. Textbook and eTextbook are published under ISBN 022665463X and 9780226654638. Since then The Revolution's Echoes: Music, Politics, and Pleasure in Guinea (Chicago Studies in Ethnomusicology) textbook was available to sell back to BooksRun online for the top buyback price or rent at the marketplace.

Description

Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be.

Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.

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