9780195088960-0195088964-Who Set You Flowin'? The African-American Migration Narrative (Race and American Culture)

Who Set You Flowin'? The African-American Migration Narrative (Race and American Culture)

ISBN-13: 9780195088960
ISBN-10: 0195088964
Author: Farah Jasmine Griffin
Publication date: 1995
Publisher: Oxford University Press
Format: Hardcover 248 pages
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Book details

ISBN-13: 9780195088960
ISBN-10: 0195088964
Author: Farah Jasmine Griffin
Publication date: 1995
Publisher: Oxford University Press
Format: Hardcover 248 pages

Summary

Who Set You Flowin'? The African-American Migration Narrative (Race and American Culture) (ISBN-13: 9780195088960 and ISBN-10: 0195088964), written by authors Farah Jasmine Griffin, was published by Oxford University Press in 1995. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent Who Set You Flowin'? The African-American Migration Narrative (Race and American Culture) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."
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