9780190261139-0190261137-Locating the Voice in Film

Locating the Voice in Film

ISBN-13: 9780190261139
ISBN-10: 0190261137
Edition: 1
Publication date: 2016
Publisher: Oxford University Press
Format: Paperback 336 pages
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Book details

ISBN-13: 9780190261139
ISBN-10: 0190261137
Edition: 1
Publication date: 2016
Publisher: Oxford University Press
Format: Paperback 336 pages

Summary

Acknowledged author wrote Locating the Voice in Film comprising 336 pages back in 2016. Textbook and eTextbook are published under ISBN 0190261137 and 9780190261139. Since then Locating the Voice in Film textbook was available to sell back to BooksRun online for the top buyback price or rent at the marketplace.

Description

Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context.
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